Composed in 2007, the piece comes as a suite of minimal techno with twenty-eight distinct parts, all with different combinations of rhythms and sounds -- using a few tens of sampled sound sources -. The original samples have been previously edited by Londoners Andrej Bako and Karen O'Brien and here there were used through electronic pads, played with drum sticks with no overdubs. The composition is a radical reconstruction of a free improvisation, played and recorded in a solo concert, as part of a festival held in Reggio Calabria in 2004.
