Vinyls are beefriendly. By getting a copy, you are supporting beehives in Pasieka Warmińska, next to my hometown, Apple Tree, Poland. Right where the pictures for \"Soldier\" and \"Mother\" were shot. Inside of the vinyl, you will find your beefriendly sticker - graphic design by Ada Zielińska. Cover photo by Dominika Szatkowska
'Girls' (released on vinyl, Dec. 2019) is an experiment along the border of trip hop and acid jazz, diving into raw techno areas and tribalism, which takes you by your hand and invites you to dance.
On vinyl you'll hear Ina's voice, quotes from M.I.A; the voice of Jack Kerouac, field recordings from Bristol and various roads, the poetry of Srečko Kosovel.
\" I wanted to build a bridge between two worlds: the east and the west, both so close to my heart, whose diversity I am still acknowledging myself with. I decided to grind, crush and lather such a mixture into my own ephemeral world \". Oneiric with melodies and singing, Ina is filling hr music space with magical realism.
Ina is responsible for the composition, recordings, production and most of the lyrics. She invited Magdalena Laskowska (violin) and Jakob Kiersch (drums) to recordings - they both appear in Ina's live band.
The pieces were created in various spaces, often on the road, in an apartment and garden in Bristol, in Ina's studio in Warsaw; on the route to Poznań, Vilnius, Katowice, in the Berlin studio.
\"GIRLS\" is an album about love as a life attitude. Girls are in the centre of events. The ones met accidentally, the ones that have always been known. The album opens with the confession of Marla, a lively and rebellious four-year-old who I took care of during my stay in Bristol; Aurora - a naked performer with a bouquet of heathers, who releases her libido at a New Year's party. Next, Soldier - to show the strength of rhythm; madness that can be brought out of it. A kind of wildness and tribalism, which makes us lose ourselves in what is closest to us and be thrilling warriors of our stories. Seeking relief and acceptance in Mother; trance Anna in amok; Coming back about dealing with returns and intrusive memories. Agatha gives herself over to the projection of her desires, the obsessive need to unite with the object of love. Spring unleashes the creative joy that a moment of falling in love brings, Melania mixes egoism with her own love, while Iza responds with Kosovel to Joe's question about the final word.
