While the previous album Western Lies was a sarcastic, unrestrained critique of the shortcomings of our western civilization, Transgenic focuses on individual behaviors within it. Drowned in this world of advanced technology and hyper-consumerism, individuals struggle to discover their inner self or communicate with each other. The album lays out a disturbing view of the present and the near future, with the significance of Social Media, and increasingly alarming ecological issues giving shape to an Orwellian dystopia.
The egocentric practices inherent to Social Media are mocked by Stavros’ insolent lyrics and tone. The drama and loneliness of “Modern Man” is highlighted across Transgenic, with emotional issues and personal experiences completing the lyrical content. Musically, The album draws on the last 50 years of Pop Culture, with some touches of traditional folk music, but as a whole, Transgenic is true Rock.
Production-wise, the band plays with light and shade and introduces the terms “Organic” and “Transgenic” as musical concepts. When delving into the organic realm, the sound is warmer, and the recording techniques used are vintage.
Dirty Sound Magnet are:
Maxime Cosandey - Drums
Stavros Dzodzos - Guitar
Marco Mottolini - Bass
credits:
Composed by Stavros Dzodzosz
Arrangements by Dirty Sound Magnet
Produced by Dirty Sound Magnet
Recorded and edited by Marco Mottolini
Executive producer: Dirty Sound Magnet and Sergio “Eko” Gautier
Assistant sound engineer: Sergio “Eko” Gautier and Dominique “Minic” Poinçot
Recorded at Eko Studio
Mixed by Leopold Schwaller (Organic Sacrifice, USA LSD BnB HIV, Skull Drawing Rose, The Cloud, Social Media Boy, Hashtag Love, Toxic Monkeys), Stéphane Chapelle (Rigid Soul, Social Media Girl, Transgenic) and Marco Mottolini (The Death of Beauty)
Special guest: Soma Staempfli - Vocals (The Death of Beauty)