Bot’Ox, or Julien Briffaz and Benjamin Boguet, the half of Tekel and the whole of Cosmo Vitelli.
A parisian encounter in a dark recording studio near République, under the mark of Saint Ambroise, or in the middle of machines, synthesizers, effects emulators, where a pioneer bond was born. Hours of rush, borrowing here and there the roughest sounds for a tangible and sensorial experience, starting with abstract to cut, prune, saw, cut and cut, again and always, to find lucid melodies and blistering rythms.
