Piece 1: 1987
Piece 2: 1984
Two electronic pieces, of course very obscure, by stochastic composer Clarence Barlow. For the second piece, Barlow used a spiral to inform the structure of his music. The computer was programmed to produce melody to fill time equal to the segments produced from a series of spokes radiating from the center of spiral. The distances between these spokes increases as the path reaches farther out in the spiral.