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Annette Hanshaw - Big City Blues
Playing Next: Brookes Brothers - Carry Me On (Ft. Chrom3) (Official Video)
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Recorded on April 5, 1929. Starting in June 1928, she recorded for Columbia; most of these recordings were issued on their dime-store labels Harmony, Diva, Clarion and Velvet Tone. A handful were also released on their regular-priced Columbia and OKeh labels. Although most were released under her name, she was renamed Gay Ellis (for sentimental numbers) and Dot Dare or Patsy Young (for her Helen Kane impersonations). She recorded under a number of other pseudonyms, including Ethel Bingham, Marion Lee, Janet Shaw, and Lelia Sandford.
Starting in August 1932, she began recording for ARC; her recordings were issued on their Melotone, Perfect, Conqueror, Oriole and Romeo labels. Her final session, on February 3, 1934, was placed on ARC's Vocalion label.
Throughout her recording career, she sang with the Original Memphis Five, Willard Robison's Deep River Orchestra, Sam Lanin's Orchestra, Lou Gold's Orchestra, and Rudy Vallée's Connecticut Yankees. She had been accompanied by Red Nichols, Miff Mole, Phil Napoleon, Joe Venuti, Eddie Lang, Adrian Rollini, Vic Berton, Benny Goodman, Jimmy Dorsey, Tommy Dorsey, Jack Teagarden, and Irving Brodsky.
Hanshaw began appearing on the radio in 1929. In the early 1930s, she sang on the air with Glen Gray's Casa Loma Orchestra. From 1932 to 1934, she was featured on the popular Thursday evening radio program Maxwell House Show Boat. She made her only appearance on film in the 1933 Paramount short Captain Henry's Radio Show. Her music career ended on December 6, 1937, after a performance on The Chevrolet Musical Moments Revue.
Hanshaw's singing style was relaxed and suited to the jazz-influenced pop music of the late 1920s and early 1930s. She combined the voice of an ingenue with the spirit of a flapper. She was known as "The Personality Girl", and her trademark was saying "That's all" in a cheery voice at the end of many of her records. Hanshaw had a low opinion of her voice, and she said was afraid of broadcasting. When asked why, she said, "I'm so afraid I'll fail, not sing my best. Suppose I should have to cough. Suppose I didn't get just the right pitch. And all those people listening." Hanshaw's favorite singers were Marion Harris, Sophie Tucker, and Blossom Seeley. She also enjoyed her contemporaries, Ruth Etting, Ethel Waters, and Connee Boswell. She composed two songs, "Sweet One" and "Till Your Happiness Comes Along."
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