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Steve Roden - Bell Is the Truth (Berlin) [excerpt]


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\"light forms, 2002
8 mm color & black and white film transferred to video
16 minutes, sound.

exhibition: lightforms, singuhr - hoergalerie in parocial, berlin germany, 2002

light forms is a film/sound work created for the singuhr - hoergalerie in parocial space. the space is a baroque church in berlin's mitte district and exhibitions take place in the bell room, the nave, and sometimes the main chappel of the parochial church. the location inspired me to work with source materials related to light and bells.

the film work was created using a super 8 camera i have had since childhood. the 16 minute film uses color imagery created with colored lightbulbs and construction paper following the colored paths of various 1880's bell ringing scores of jasper snowdon; and black and white images of my hands \"speaking\" the phrase \"truth is the bell, bell is the truth\" using a self invented method of translating the alphabet into a series of hand movements. all of the audio was created using the sounds of light bulbs.

the space was lit only by the light of the monitor as well as two small shafts of natural light on either end of the space. the audio was installed on 4 speaker in two opposite rooms with the film showing in between.

the following text accompanied the exhibition:

in 1997, i was in sheffield england, sleeping in a small room in the home of saxaphone player mick beck. it was raining rather loudly, and i woke up out of a dead sleep in the middle of the night and wrote down the phrase \"truth is the bell. bell is the truth\" on a piece of paper and fell back asleep. when i awoke the next morning, i had no idea why i had written this text.

in 1998, i was in liverpool england to participate in isea 98. i was visiting a large cathedral and the bell ringer showed me a book of 'scores' for bell ringing by jasper snowdon. it was written in the 1880's, (and still apparently in use). these scores were not only very beautiful; but had an uncanny connection to much of my own visual work.

in 1999 i visited berlin for the first time to partipate in the sampling rage festival at the podewil. we wandered into the singuhr - hoergalerie in parochial next door to find a very beautiful installation by julius. i hoped someday to make a work for this beautiful space.

in 2002, carsten seiffarth called me on the phone to ask about my performance for the resonanzen exhibition in saarbrucken, and told me that the evening would have a slight theme to it -'light'. he then asked me if i would be interested in doing an installation in the singuhr - hoergalerie in parochial.

a week or so later i found a 1944 edition of jasper snowdon's book - a coincidence too rich to ignore! while looking at these drawings; the church, the bell room, and the notion of lights collided.

in developing the performance for saarbrucken i began to use the sounds of various light bulbs tapping together... to be played in total darkness...their fragile glass surfaces and tiny springs.

for the installation at the singuhr - hoergalerie in parochial, the light bulbs become the 'bells' as their sounds float around a space where bell sounds have always existed. the visual element is a simple abstract film, shot with my super 8 camera and transferred to video. the black and white images are a translation of the phrase 'truth is the bell, bell is the truth' done using my own method of alphabet translation via hand movements. the color imagery was created using blue and red light bulbs and stencils following the line patterns of jasper snowdon's bell scores.

as always, my own interest is not particularly in the bells nor the lights - rather in what these two things can inspire within myself and my own working process (the limitations of making sound with a lightbulb, the deviation from original intentions in using a 'score' as an aesthetic presence, the untranslatable nature of a sign language known only to the 'speaker', etc.).

the final work is not about lights, nor is it about bells - but is an abstract presence developed through these things to simply exist as sound and visual music.

steve roden august 2002\"

(http://www.inbetweennoise.com/lightforms.html)


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