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Bhundu Boys - The Shed Sessions (1982-1986) [Full Album]


Playing Next: ΤΖΙΜΗΣ ΠΑΝΟΥΣΗΣ - Κάγκελα παντού [full album 1986]


1) Une Shuwa Here Pt.1 -- 0:00

2) Une Shuwa Here Pt.2 -- 4:28

3) Kuroja Chete -- 8:51

4) Chekudya Chose -- 16:36

5) Zvichatinetsa -- 21:58

6) Pachedu -- 27:20

7) Kumbiraya -- 32:26

8) Nhai Mukoma -- 36:12

9) Hupenyu Hwangu -- 40:19

10) Faka Puresha -- 45:23

11) Ziva Kwawakanva -- 53:44

12) Shabhini -- 58:40

13) Wakandiparadzisa Musha -- 1:03:44

14) Npido Mari Yangu -- 1:08:24

15) Zvandinesta -- 1:13:30

16) Wakasikriei Satani -- 1:18:21

17) Dai Ndakaziva -- 1:25:48

18) Wenhamo Haaneti -- 1:30:00

19) Pendeke -- 1:34:28

20) Hatisi Tose -- 1:39:14

21) Vakaparei -- 1:44:09

22) Baba Munini Francis -- 1:48:47

23) Wafungeyiko -- 1:54:07

24) Tsvmbodze Moto -- 1:58:58

25) Manhenga -- 2:03:35

26) Kupedza Muto -- 22:08:24

27) Chimanimani -- 2:13:21

28) Simbimino -- 2:17:45

29) Muchihwa -- 2:22:44



\"The Shed Sessions: 1982-1986 comprise the two albums that Zimbabwe's Bhundu Boys recorded at Harare's Shed Studios between 1982 and 1986. It's where Biggie Tembo and the rest of the band developed their jit-jive style and created a classic sound with intricately interlocking guitar parts. Comprised of two LPs, Shabini and Tsvimbodzemoto, this is really the legendary sound of the band, spawning four number one singles at home and establishing their reputation overseas. This CD not only collects the songs from those albums, but adds more, for a total of 28 cuts, all powered by some storming guitar work. But while they show their fire on tracks like \"Pachedu,\" they also take on the feel of more traditional mbira music on the moody \"Manhenga.\" It's ironic that they should hit their creative high point so early in their career, never recapturing the spirit that made this music so remarkable and glittering. From here they'd move to England, but in the '90s everything would fall apart, as members died of AIDS and Biggie Tembo hanged himself after being asked to leave the band. A tragic end that wasn't foreseen in some of the best guitar music to emerge from Africa.\"

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