The solo work of cellist Julia Kent deals in different ways with concepts of borders and of spaces which are neither one thing nor the other. Green And Grey opens and closes with cicadas, stridulating in the evening air, with Kent's looped cello building upon the samples to create the compositions. In between, there are tracks named after trees (\"Ailanthus\"), water (\"Acquario\"), landscape features (\"Overlook\") and constellations (\"Pleiades\"), but also in one case, a building (\"Spire\"). It seems at first listen that Kent is outside, recording the sounds of the natural world, in order to inspire her work.
- The Liminal