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The Marigold - Apostate (Full Album 2021)


Playing Next: Blind Pilot - And Then Like Lions Full album (Indie)
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Apostate (2021)

LP - available on Sound Effect Records (EU) http://soundeffect-records.gr

CD - Forbidden Place Records (USA) http://forbiddenplacerecords.com

K7 - available on Trepanation Records (UK) http://trepanationrecordings.bandcamp.com

DGT - available on Coffin & Bolt Records (USA) http://coffinandbolt.com

Golden Robot Records (AUS) http://goldenrobotrecords.com

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The Marigold

https://www.facebook.com/Themarigoldband 

https://www.instagram.com/themarigold_band/

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Sound Effect Records : http://www.soundeffect-records.gr/

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SIDE A

1. Exorcism Charm 00:00

2. Goat, Goth, Gone 03:36 

3. The Pledge  06:38

4. Mono Lith 10:24



SIDE B

1. Lay Down 16:21

2. Sludge Machine 20:51

3. Loser in Lines 26:27

4. My Own Apostate 33:58

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THE MARIGOLD – APOSTATE



PRODUCED BY TOSHI KASAI (permanent collaborator of the MELVINS)



The Marigold band announces the release of the new album. The work was produced by Toshi Kasai (Melvins) and features the collaboration of Adam Harding (Dumb Numbers, Kidbug with Dale Crover and Thor of the Swans).



The opinion of the band’s members is that this is the most ‘heavy’ album released to date: it’s a dark journey that ranges from sludge to stoner with touches of hardcore.



The album was recorded in Marigold’s studio and then produced and mixed at Kasai’s “Sound Of Sirens” in Los Angeles. In the end, it was mastered by the trusty friend and historical collaborator Amaury Cambuzat. The Marigold is among the most long-lived band in the Italian alternative rock music scene; founded by Marco Campitelli, The Marigold is active since 1998. They still confirm their tenacity with a record based on an unconventional style.

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releases April 23, 2021



The Marigold:



– Marco Campitelli: gtrs, 6 string bass, voice

– Stefano Micolucci: basses

– Lorenzo Di Lorenzo: drums, percussions

+ Toshi Kasai: guitar, tambourine, synth, sleigh bell, spring cowbell

+ Adam Harding: guitars

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