An inventory of Warne Marsh’s discography immediately reveals a heavy skew toward the Seventies. Decades prior weren’t nearly as kind toward the documenting of the tenorist’s art. This set remains rarity even within the context of the comparative bounty of offerings that accompany his later years. Recorded over three days in the spring of 1977 in drummer Nick Ceroli’s home studio, it’s a bit of a mixed affair in regards to audio fidelity. The extended opportunity to hear Marsh extol his personal philosophy toward melodic improvisation and interpolation sans a traditional chordal instrument immediately compensates. Ceroli doesn’t stray far from the typical Tristano School decorum of securing a steady beat for his colleagues, though there are sporadic segments where he does loosen the self-imposed straight jacket. Bassist Jim Hughart has more latitude and his period-amplified lines create a springy weave for Warne’s flights, especially on the lovely “Ballad”. There’s no ambiguity about it being Marsh’s show though and the familiar chord changes rigged with fresh melodic ornamentations cycle by with little pause or posturing. Post-performance production comes into play through some judicious overdubbing on both Marsh and Hughart’s parts, which yields several stimulating examples of Warne jousting with himself. Not easy to find, this set is still well worth seeking out.
A1 - Local 47 (Nick Ceroli) (00:07)
A2 - Liner Notes (Warne Marsh) (03:57)
A3 - Warne Out (Warne Marsh) (07:50)
A4 - Lennie's Pennies (Lennie Tristano) (11:15)
B1 - Duet (Warne Marsh) (15:12)
B2 - Ballad (Warne Marsh) (19:57)
B3 - Warne Piece (Nick Ceroli) (27:59)
Warne Marsh (tenor sax)
Jim Hughart (bass)
Nick Ceroli (drums)
Recorded at Model A Studio, Granada Hills, California on May 14, 15, and June 5, 1977.
