Philip Perkins was born in 1951 in Coatesville, Pennsylvania. During the first half of the 1970s he made numerous experimental films in Eugene, Oregon before relocating to San Francisco in 1977. Starting 1979, he focused on sound engineering and music, yet still making videos for local bands The Residents, Tuxedomoon or MX-80, for instance. Like two other Perkins audio works of the time (The Rosetta Stone and Hall of Flowers), ‘Drive Time’ was conceived as an alternative radio program, an interest Perkins further developed in later radio projects featuring live musicians and electronics, like ‘South Florida Remote’, ‘San Francisco Remote’ (both 1988), and ‘Berkeley Remote’ (1989). For more information on these, read Philip Perkins 1989 interview with H23 magazine No 1, Spring 1989 here. ‘Drive Time’ is a collection of audio vignettes encompassing recordings of various human leisure and outdoor activities (conversations, Christmas party, funfair, mechanical piano, outdoor orchestral music, muzak, geese, gulls, rain, etc), interweaved with keyboard and guitar music, in addition to what Perkins calls ’simple musique concrete tricks’. The final mix, an elaborate audio survey of contemporary human activities, shows Perkins’ mastering of studio techniques, clever arrangements and melodic skills. http://www.discogs.com/Philip-Perkins-Neighborhood-With-A-Sky-Bird-Variations/release/1568264