Precision kicks, pitter-patter effects and an escalating melody are joined by a spoken word sample in the bouncy ‘SMML’, before moving into ‘turboshandy’ with its springy bassline, lively synth stabs and heady pitched up vox. Tying things together, ‘heavy bad yin’ is a rumbling cut that powers onwards courtesy of robust drums, swinging hats and a squelchy acid lead.