The unconventional French composer Erik Satie almost wrote anti-music. In slow motion (and without bars) his well-known Gymnopédies glide past. In other pieces one can hear more than faint echoes form the vaudeville theatre. Played by Håkon Austbø.
Tracklist:
00:00:00 3 Sarabandes (1887): No. 1
00:05:33 3 Sarabandes (1887): No. 2
00:10:33 3 Sarabandes (1887): No. 3
00:14:47 3 Gymnopédies (1889): No. 1: Lent et douloureux
00:18:27 3 Gymnopédies (1889): No. 2: Lent et triste
00:21:45 3 Gymnopédies (1889): No. 3: Lent et grave
00:24:38 Gnossiennes 1-3 (1890): No. 1
00:28:45 Gnossiennes 1-3 (1890): No. 2
00:30:45 Gnossiennes 1-3 (1890): No. 3
00:34:11 Gnossiennes 4-6 (1889-1897): No. 4
00:37:02 Gnossiennes 4-6 (1889-1897): No. 5
00:39:53 Gnossiennes 4-6 (1889-1897): No. 6
00:41:27 2 Préludes du nazaréen (1892): No. 1, assez lent
00:46:09 2 Préludes du nazaréen (1892): No. 2, assez lent
00:49:15 2 Prélude de la porte Héroique du ciel (1894)
00:53:00 2 Pièces froides (1897), No. 1: Airs a faire fuir: D’une manière très particulaire
00:55:59 2 Pièces froides (1897), No. 1: Airs a faire fuir: Modestemente
00:57:42 2 Pièces froides (1897), No. 1: Airs a faire fuir: S’inviter
01:00:45 No 2: Danses de travers: En y regardent à deux fois
01:01:39 No 2: Danses de travers: Passer
01:02:25 No 2: Danses de travers: Encore
01:03:47 Petite ouverture à danser (1900)
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