Arrhythmia searches for a biological aesthetic in electronic music. Its individual parts are cohesive and contribute to the complex nature of a sentient organism. Familiar sound sources are sampled and corrupted in order to craft a soundscape that borders on reality. Inevitably, the nature of the sampling process imbues the sonic outcome with an “electronic” artefact; it is this natural/artificial friction that is cultivated in the music of arrhythmia. Sounds which at first seem recognizable dissolve into an abstract, outerly world where rhythm, timbre and forms collide.